We weren’t out too late on Wednesday night, so we hit the streets relatively early by Airwaves standards – probably about 10:30AM. I headed straight over to Lucky Records to spend a few hours digging and building large stack of music to pick up later in the trip (see the Day 3 post…), before meeting up with the gang for lunch at one of our all time favorite joints, Noodle Station. From there we popped over to Waldorfskólinn Sólstafir to see the hip hop duo Cryptochrome. What was particularly notable about this show is that Waldorfskólinn Sólstafir is, well, a school. So we were in a room that was about half adults and half little kids watching a performance, which is about as surreal as it sounds. (♠) After that we popped over to Jörgensen Kitchen & Bar to catch one of our favorite Icelandic bands, and one we’ve never seen live, Foreign Monkeys. And despite playing inside a bar nestled within a hotel, the Monkeys (below) absolutely crushed it with a blistering 40 minute set that included songs from their original album, 2009s Pí, as well as the recently released Return. Even the folks in our group who don’t generally gravitate to hard rock loved this set, with the strongest compliments being given to the drumming. I know we’re only half way through the festival, but so far this has been my favorite show.
After another record shopping detour, this time at Reykjavik Record Shop, it was time for dinner and the official on-venue portion of the day. We started at Gaukurinn (formerly Sódóma) because we wanted to check out our friend Haukur and his metal band Blóðmör (below), and the young men did not disappoint, rocking our faces off with a blend of metal and punk, replete with long hair, head banging, and a Flying V guitar. They destroyed all comers. If these guys represent the future of heavy metal, then the future looks bright my friends.
Blóðmör were followed by the always solid Kontinuum. After that we bounced over to Gamla Bíó for Glass Museum (below), an intriguing Belgian duo who play instrumental songs using keyboards and drums. The house was nearly full for their set the crowd responded with approval to everything the pair performed – clearly most folks in the room knew of them already. Their style is hard to describe, the vibe more electronica than traditional popular music, with definite jazz and contemporary influences. I know that may not sound like it should work, but trust me, it does.
We wrapped up the night early as I’m still battling a cold I picked up during our flight from Seattle to London, but given how strong all five bands were today I don’t feel like I got shortchanged. Plus we still have the festival’s two biggest nights ahead of us.
(♠) When we arrived we agreed that if four guys, unaccompanied by children, showed up at a grade school to watch a musical performance, someone probably would have called a SWAT team.