How long have I been waiting for Rusted Metal to come out? I pre-ordered a copy as soon as I learned about it, and that was close to two years ago. But truth be told I’ve been waiting for a book like Rusted Metal for my entire life. If something like it had existed back when I was a teenager I probably would have spent even more time in my room than I already did, reading, re-reading, and digesting it, only stepping out into the daylight to foray out to used record stores in search of Iron Cross demo tapes.
In the 1980s it was the norm as a teen to define yourself by some kind of label. Jock. Prep. Stoner. Skater. If you were unfortunate you had such a label forced upon you against your will, like Dweeb or Nerd back when Nerd was not a badge of honor. I strove to apply one of these labels to myself back in those days. Rocker.
I wasn’t a rocker though. Not really. Yes, I loved the music – hard rock and heavy metal were the soundtrack to my high school years in the second half of the 80s, with grunge sneaking its way into the mix as Sub Pop 7″ singles started popping up at places like Bellevue’s Cellophane Square Records. And sure, I had a leather jacket, though one with faux sheepskin lining, which hardly screamed rock let alone metal. I had the mullet, but hadn’t truly embraced the full-on rocker long hair look. The bottom line is I aspired to be a rocker, but I wasn’t one.
So what does all this have to do with Rusted Metal? Well, this was the scene I wanted to be part of, and indeed some of the music I listened to is here. And I’m not talking about the obvious stuff like Soundgarden or Mudhoney or Nirvana, though certainly they’re included. I’m talking about bands like Fifth Angel and TKO and Wild Dogs. Bands like Wehrmacht, who were often blasting out of my buddy’s brother’s bedroom window when I pulled up, a speaker perched on the sill and pointing out at the neighborhood and blasting “Suck My Dick”.
James Beach and friends have created the ultimate Northwest rock and metal guide with Rusted Metal, the definitive textbook on those genres in the region, a 902-page slab that’s as heavy as the music it covers. The interviews alone would make the book worth the price, somewhere around a hundred of them spread throughout the tome. Musicians, promoters, studio engineers and producers all share their stories and memories, both of the music and about the characters who were part of the scene (“This is the guy who went to prison for putting a bomb in his girlfriend’s mailbox.”). And have no fear, friends, this isn’t just text. We’re treated to hundreds of photos, flyers, album covers, and other visual treats to help tell the stories.
The cornerstone of Rusted Metal is the section devoted to bands and musicians, over 600 pages of entries in an encyclopedia-like format providing basic info like location, years active, and members, followed by as much narrative as the guys could uncover. For a band like Portland’s High Flight the bio may only run a few sentence, but Beach still manages to connect its members to at least four other bands while also touching on their management and the venues they played. Well-known local acts like the previously mentioned Wehrmacht, on the other hand, earn a page or more, often with an accompanying interview such as the eight-pager with frontman Tito Matos, who later went on to become a very successful club DJ (a fact I definitely did not know).
The final third of the book is broken down into sections devoted to concert dates, venues, record labels, studios, and of course a discography, which given the obscurity of many of these bands is probably the most comprehensive you’ll find anywhere, particularly when it comes to documenting demos. You’ll also find some of the guys’ own releases listed, because they’re partners in the NW Metalworx Music label that has been re-release some NW classics from bands like TKO, Heir Apparent, and Whiskey Stik, as well as a couple of great comps, most notably NW Metalworx Volume 2: Lake Hills Revisited. I’ve actually run into them a few times set up at record shows where they not only sell NW Metalworx releases but also tons of great NW classics. It’s an all-encompassing passion for this crew.
I’ve been reading an advance copy of Rusted Metal on my iPad and can’t wait for the print version to finally arrive in my mailbox in a few weeks. James and the guys did a terrific job on what is obviously a labor of love, and I applaud them for it because I know how taxing and all-consuming projects like this are. Rusted Metal will hold a place of honor on any music fan’s bookshelf, and I know I’ll be referencing it constantly. You can order your copy direct from NW Metalworx HERE, with a format and price for every music fan from the $9.95 e-book to the $34.95 trade paperback to the $125 limited edition and signed hardcover edition, so get your copy today.