I’m not sure what to make of Good As Gold.  OWT was the partnership of harpist (yes, I said harpist) Zeena Parkins and percussionist David Linton.  The pair also brought some keyboards, digital, and even tape looping skills to the project, which in many ways feels like some kind of bizarre free-jazz-meets-no-wave thing.  Experimental?  Yeah.  Thought provoking?  Definitely.  Enjoyable?  Well… it’s challenging.  The compositions have quasi-structures, but there’s so much happening that the listener never gets comfortable, which may well be the point.  “Dream Mint” is my favorite piece, something a bit more restrained with some intriguing electronic elements thrown in for good measure.