The Best of 2016

It was another fine year for music and we tried to embrace as much of it as possible.  Besides lots of shopping at the stores in the greater Seattle area, I also bought vinyl in Los Angeles, Denver, and Oklahoma City, as well as on trips abroad in Hong Kong, Sweden, and Iceland.  We saw some great live shows, made some new friends, and discovered new bands.  It was a lot of fun, and we can’t wait to do more of it again next year.

So, without further ado, here’s the Life in the Vinyl Lane “Best of 2016” edition!

Top 5 New Releases in 2016

  1. Ash & Ice – The Kills
  2. EP01 – Dream Wife
  3. Hope – Iiris
  4. Kælan Mikla – Kælan Mikla
  5. Redemption & Ruin – The Devil Makes Three

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Sometimes I find myself thinking about how I’m going to write on certain topics, and that happened to me recently with respect to my Top 5 New Releases list.  I was super excited about Dream Wife and their EP01, enough so that I felt like it was deserving of the top spot on the list, which would also conveniently supply me with a narrative arc since lead singer Rakel was also the vocalist on my pick of the best album of 2015 as part of Halleluwah.  Man, this was going to be so easy to write!

But then I remembered Ash & Ice.  I’ve played the hell out of this album over the course of the year, and I love it more with each and every spin.  So while I certainly root for the little guy (and girl) and Dream Wife in the top position would have made for a great story, it simply wasn’t authentic.  The Kills killed it, and that’s that, putting out an album that is, to my years, light years ahead of everything else I heard in 2016.

There is another thread in this list, however, as all of the top four performers have female vocalists, and the fifth, The Devil Makes Three, has a female bassist who does backing vocals.  So every band/performer on the list has at least one woman involved.  I think we’re seeing more and more opportunity for women in rock and outside of the traditional singer/performer format, especially in rock and metal, which is outstanding.  We saw lots of women performing great music this year at Airwaves as part of outfits like Hórmónar, Singapore Sling, Samaris, aYia, Thunderpussy, and Let’s Eat Grandma, and I for one couldn’t be happier about it.

Top 5 “New to Me” Bands/Performers

  1. Prayers (US)
  2. Dream Wife (UK/Iceland)
  3. Andi (Iceland)
  4. Scorpion Violente (France)
  5. The Lyman Woodard Organization (US)

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All of these “New to Me” bands came to me in different ways.  I saw Prayers on an episode of Huang’s World and literally ordered some of their music as soon as the commercial break came on after their appearance; I’d never heard of Dream Wife until I saw them perform live at Airwaves this year; I picked up Andi’s self-titled release because it was on Lady Boy Records and I pretty much buy everything they put out; Scorpion Violente was a random purchase from the New Arrivals bin at Amoeba; and I read about They Lyman Woodard Organization in an online article.

Stylistically the five band have nothing in common, ranging from cholo goth to pop-punk to electronic to industrial to jazz-funk.  They varied in genres just as they did in the ways they came to my attention.  This makes me feel good – the wider the net I can cast in the search for the new and interesting, the more likely I am to have my horizons expanded and mind blown.

I can’t recommend Prayers enough.  If you’re into hip hop or even somewhat darker electronic music you need to give these guys a listen.  But really I could say the same about all five of these selections.  Even if you’re not into their style, you may very well find something you like and have your musical base broadened just a little.  But be careful – if you open that door, even just a crack, there’s a whole flood of awesome music on the other side that will blow it down and rush over you like a tidal wave.  Don’t say I didn’t warn you.

Top 5 Vinyl Purchases

  1. U-Men – U-Men
  2. No New York Compilation
  3. Revolver – The Beatles
  4. The Decline of Western Civilization Parts I & II Soundtracks
  5. The Icelandic Punk Museum Cassettes

u-men

I think I felt a little less passionate about acquiring specific things in 2016 than I have in past years.  That’s not to say I haven’t enjoyed playing tons and tons of new vinyl (and tapes, and CDs), but there hasn’t been a lot of the thrill of picking up a rarity or even new releases that I looked forward to with great anticipation (though there are a few items due in 2017 that I am excited about).

That being said, I did get my grubby paws on a few rarities and cool titles this year.  U-Men is a legitimately scarce pre-grunge Seattle punk record, and the original pressing of No New York was an exciting find in Oklahoma City.  Getting red vinyl Japanese first pressing of The Beatles’ Revolver in Hong Kong was my first foray into that collecting rabbit hole, and the record will always carry with it the great memory of listening to James Tang play us different versions of Beatles songs and break them down for us by their differences.  The two Decline records are soundtracks to a pair of great documentaries which also finally got released on DVD.  While the last item(s) on my list are actually tapes not vinyl, I was probably most excited to get my hands on those from a purely musical standpoint – there’s some great stuff on those comps, and they hold a proud spot on my tape rack.

I’ll be excited to see what 2017 brings!

Top 5 Live Shows

  1. Macklemore – Neumos, Seattle
  2. The Devil Makes Three – Red Rocks Amphitheatre, Colorado
  3. Dr. Spock – Húrra, Reykjavik
  4. Dream Wife – Harpa, Reykjavik
  5. The Ills – Húrra, Reykjavik

macklemorestagedive

When a good friend of mine, who shall remain nameless, called and said, “psst, I’ve got two spots on the guest list for the Macklemore album release party at Neumos, do you want to go?”, I couldn’t say yes fast enough.  The chance to see Seattle’s best known hip hop artist (sorry Mix-A-Lot, but he has the belt now) playing in an intimate venue like Neumos in front of the home town crowd was way to good to miss.  And it was great.  Including the part shown here when he climbed up onto the ledge of the balcony level (right) and then dove backwards into the awaiting crowd below.  I doubt I would have tried that, especially given that there seemed like a lot of 14-year-old girls down below waiting to catch him.  But catch him they did, and it was a hell of a show.

The Devil Makes Three are always great live, and getting to see them at Red Rocks was just icing on the cake.  An amazing venue, and once the show started I hardly noticed the wind and the cold.  The other three shows rounding out my Top 5 were all at Airwaves.  I’m going to skip past Dr. Spock and Dream Wife as I’ve written pretty extensively about both bands recently, and go straight to The Ills.  When these crazy Slovakians hit the stage at Húrra, all five of us in our Airwaves posse basically groaned – “ugh, instrumental rock…”.  But by time the second song was done The Ills had won the entire crowd over, including us, with their sheer enthusiasm and joy of playing, plus of course they had some pretty sweet licks.  By the end of their set we were all bummed they couldn’t play just one more song.  We ran into a couple of the guys the next night and they seemed genuinely appreciative of the praise we heaped on them.  Bands like The Ills are why you go to Airwaves.  Look for a review of one of their albums in the upcoming weeks.

Top 5 Places to Buy Records

North America
1. Easy Street Records, Seattle
2. Daybreak Records, Seattle
3. Guestroom Records, Oklahoma City
4. Amoeba Music, Los Angeles
5. Hi-Voltage Records, Tacoma

The Rest of the World
1. Lucky Records, Reykjavik
2. Trash Palace, Stockholm (Sweden)
3. Shun Choeng Record Company, Hong Kong
4. Reykjavik Record Shop, Reykjavik
5. The Record Museum / Sam the Record Man, Hong Kong

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I feel like I should just retire Easy Street and Lucky, since they are my two go-to shops and will likely remain so for years to come.  Hell, I could easily populate a Top 5 in North America with just Seattle area shops that I visit semi-regularly.  But such is life in the vinyl lane.  Seattle’s Daybreak Records is new on the scene this year and has an impressive amount of quality wax in a relatively small space.  Guestroom was a very pleasant surprise that I came across during a business trip to Oklahoma, and I came away with an armload of great titles there.  And if there’s one upside to all the business trips I had to take to Los Angeles in 2016 it was the opportunity to pay some visits to Amoeba, which has so much vinyl that I literally run out of energy looking well before I’ve had a chance to look at everything.  Hi-Voltage rounds out the North America Top 5 – they moved into a new location down in Tacoma and I love the new layout.

We got to visit record stores in three other countries on two continents in 2016.  Reykjavik of course gave us the always amazing Lucky Records and Reykjavik Record Shop, places where the folks working there are more like friends and family than employees.  A pre-Airwaves trip to Stockholm gave me a chance to visit Trash Palace for a second time, one of the best punk/metal speciality shops around.  And Hong Kong… ah, Hong Kong.  Shun Choeng Record Company was hard to find – it’s actually in a regular looking office building on one of the middle floors, and there’s no sign for it on the street.  It was impeccably laid out and organized, and I swear every single used record in there was immaculate.  While we didn’t buy much there, it was a fun shop to explore.  And we can’t forget our visits to James Tang, aka Sam the Record Man (above), as he literally gave us a masters-level course in the different sound qualities of various versions of the exact same songs.  It was fun and educational, a visit I’d highly recommend even if you don’t end up buying anything (though I recommend treating yourself to a Japanese red vinyl first pressing of something you enjoy… you won’t regret it).  It’s probably the only record store that also has a chandelier and will serve you coffee or tea in fine china.

The best record shopping experiences are those that come when you can build rapport with the folks at the stores.  Record shopping is fun in and of itself, but that takes it to a new level and makes the whole thing special.

Top 5 Music Books

  1. Miles:  The Autobiography, by Miles Davis
  2. Hardcore:  Life of My Own, by Harley Flanagan
  3. Porcelain, by Moby
  4. I’ll Never Write My Memoirs, by Grace Jones and Paul Morley
  5. X-Ray Audio:  The Strange Story of Soviet Music on the Bone, ed. Stephen Coates

milesauto

I’ve always been a pretty voracious reader.  I’m probably good for 30+ books in a typical year, and once when I decided to keep track I finished a year at 51… almost a book a week.  Traditionally I’ve spent almost all of my reading hours on non-fiction, but over the last few years I re-discovered my love for sci-fi and I’ve been consuming novels at a rapid rate, aided no doubt by the amount of time I’ve spent on airplanes in 2016 (best guess is I’ve been on somewhere around 60-70 flights this year).  However, I did find some time to squeeze in some music related reading, and these are the best of those books I read in 2016.

Most of these are autobiographies, which can at times be a mixed bag, perhaps nowhere as much so as with my top pick, Miles:  The Autobiography.  I applaud Miles for penning his own book, using his own voice and not relying on the co-author to turn his words into something different.  You feel like you’re listening to the man himself speak, though that can be good and bad.  What was refreshing in the first hundred pages could at times get grating as the book progressed.  Miles gives movies like Goodfellas and Pulp Fiction a run for their money with the sheer volume of “fucks” he writes, and there are entire sections that seem to devolve into “then I played here with these guys, then I played over here with these other guys…”  But man, there are some moments of brilliance here where you get a glimpse into how deeply Miles understood music, and I have to give the man credit for exposing himself completely, warts and all, including drug addiction and domestic violence.  An important work in understanding the nature of genius.

The other three autobiographies each had lot to offer as well, and I found them generally honest and forthcoming, not simply providing an idealized version of the individual.  Grace Jones probably has more of her pure ego come through than the others, but she’s a powerful and confident woman, and that shows on the page.  X-Ray Audio is a killer book about a very unique topic, old bootleg records from the Soviet Union that were cut on used x-ray file.  A definite passion project, and one beautifully packaged.  All of these were enjoyable and brisk reads.

 

So there you have it, my 2016 recap.  It’s had to believe this is the fifth one of these I’ve written… the years are going by so fast any more.  Keep on playin’ those tunes and hunting for new music, my friends!

Scorpion Violente – “The Rapist” (2012)

This gem came to me via a late evening trip to the Hollywood location of Amoeba Music.  I’ve been traveling way too much for work recently, mostly to Los Angeles, so following yet another insanely long day I thought I’d brave the infamous LA traffic and see if I could spend a few hours digging at Amoeba.  If you’ve never been there before, it’s like you died and went to vinyl heaven.  A massive electronica section broken out by subgenera; the biggest hip hop section you’ll see anywhere that isn’t a hip hop specialty store; reggae… check; spoke word… check; avant garde… check.  Just about everything you could ever want.

scorpionviolanterapist

My first stop was the same as it is in any store I go to – the New Arrivals section and it’s potpourri of assorted stuff.  And that is where I came face to face with The Rapist (2012).

The cover is creepy, and it doesn’t give away anything as to the musical genre.  I have to admit I passed it by at first, but quickly went back to it.  I assumed it was going to be some Don Ho kind of thing, but I was wildly mistaken.  A quick look at the back revealed two dudes with all kinds of electronic musical equipment laid out before them, which led to a Discogs search, which listed the style as electronic and industrial.  The price was right and it looked to be in good shape, so I snatched it up.

I couldn’t find too much about this French duo online, and what I did find wasn’t in English, so I didn’t spend a lot of time researching them.  Which is fine, because it’s really about the music.  And it’s some cool business.  Dark electronic, sometimes rich and layered, other times simple and basic.  There’s an overall darkwave kind of vibe – heavy at times, but more driven by an undercurrent of emotional despair.  Not the kind of rage-against-the-world clothes rending despair, but more the lonely kind, crying out against the universe for everything it has dumped on you, a combination of helplessness and hopelessness.  The vocals are a bit distant and indistinct, like a voice calling out from deep inside a hole and straining to be heard.

I spend a lot of time thinking about why certain music is appealing, both generally and to me specifically.  There are certainly people who will find The Rapist appealing because it fits their general mood, whether that be in the moment or part of their broader outlook on life.  Others won’t be even remotely interested in it.  As for me, I’m loving it even though I don’t think it fits with how I’m feeling at the moment, and I think it’s because music like this touches something deep within my psyche.  And that can be very uncomfortable, which is why it won’t appeal to a lot of people – they don’t want to crack open that door, even the tiniest bit.  I have to admit I find The Rapist mildly unsettling, but that constitutes an important part of its appeal, because what’s the point of art if it can’t generate some type of response from us?

Even the title and the front cover are designed to be jarring, though I almost wonder if it’s so overt as to become an exercise in simply being distasteful for the sake of being distasteful.  Certainly cover art has become more extreme over the years, and musicians have pushed the envelope with the words they choose and topics they sing about.  Some have made entire careers off of being shocking, and not just recently; popular musicians have been pushing the boundaries of what society finds acceptable since the birth of rock ‘n’ roll if not before.  Sometimes it comes across as overly contrived, but maybe it all does serve part of the greater purpose.

If you’re into the darker strains of EDM, I recommend “Pumping Iron” with it’s weird sort of double beat sound, one coming from the drum machine, the other via the backing organ.  For pure relentlessness, go with “Backdoor Action.”  If you’re into the early 1980s synthwave thing, “Strychnine” is absolutely for you with it’s distinctive keyboards.  If you like all of the above, well all of it is packaged together into the marathon 11+ minute title track.  Knock yourself out.

The Rapist is available online at Teenage Menopause Records, so if you’re into the darker stuff go check out some tracks.