The Kills – “Live At Electric Lady Studios” (2018)

I was thinking to myself the other day, “You know, it’s kind of weird that I’m so into The Kills”.  And then I thought about it some more and recognized that, huh, Alison Mosshart is an insanely sultry stage-stalking vocal powerhouse and that Jamie Hince plays the filthiest, dirtiest blues guitar on the planet and I was like, “oh yeah, it’s because they’re amazing”.  Duh.

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If The Kills keep putting out stuff on Record Store Day, I’m going to keep buying it.  Last year it was the Echo Home Non-Electric 10″, and this year it was Live At Electric Lady Studios.  Next year it could be Alison and Jamie Do Burt Bacharach’s Greatest Hits and I can guarantee you I’d be in line early, hoping Easy Street has enough copies so I can get one.  TV Theme Songs With Jamie and Alison?  Sign me up.  I’d listen to those two doing Gregorian chants.  As Alison would say, “You’re a hard, hard, hard habit to break…”  If you’ve ever seen them live, then you’ll know exactly what I mean.

Live At Electric Lady Studios is a touch better than Live At Third Man Records, if for no other reason than The Kills’ new material is insanely good.  If I close my eyes while listening to it I can see Mosshart prowling across the stage wearing a leopard-print-something-or-other while Jamie oozes cool with a cigarette hanging out of his mouth and grinding out some of the grimiest chords to ever come off a six-string.  Sure, that could be the half-empty glass of whiskey next to me talking (and let’s not talk about that wine we had with dinner…).  But it doesn’t mean it isn’t true.  The Kills are the perfect symbiotic relationship between singer and guitarist, one that appears in the night sky like some kind of once-in-a-generational planetary alignment, but better because its sonic output has continued for 15 years.  Listen to “Doing It To Death” and tell me I’m wrong.  You may just get a punch in the face from me, so caveat emptor.

The Kills – “Echo Home” 10″ (2017)

We’re huge fans of The Kills here at Casa de Life in the Vinyl Lane.  We’ve seen ’em live twice and loved ’em, and last year their latest album Ash & Ice topped my list for best releases in 2016.  Earlier this year when they announced a forthcoming four-song, limited edition (of 1,000, I believe) acoustic 10″ I couldn’t send them my money fast enough – acoustic songs by one of my favorite bands and on a format (specifically the 10″) that I have a bizarre fascination with… they could have charged five times and much and I probably still would have bought it.

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Well, it arrived the other day, and I couldn’t be more impressed.  From the perfect packaging, to the great sound, to the inclusion of a download card it was everything I could have asked for.  Plus it’s an interesting mix of material.  “Echo Home” and “That Love” are both from 2016s Ash & Ice; “Wait” is off the pair’s first ever release, the Black Rooster EP back in 2002; and “Desperado” is a cover of Rihanna track of the same name.  An eclectic mix.

The title track is pure brilliance – just Jamie, Alison, and an acoustic guitar.  We’re treated to Mosshart’s sultriness, but perhaps even more strikingly with Hince’s soulful vocals, something that often gets lost with the bass and percussion on their fuller studio tracks.  It’s a pattern that repeats across Echo Home‘s songs, addressing the one criticism Mrs. Life in the Vinyl Lane have had of The Kills – that Jamie has such a great voice but you rarely get to hear him.  I think of The Kills as sort of “blues punk”, especially their earlier material, and these acoustic treatments are a strong expression of the blues part of that equation.

I think this sucker is sold out as far as the label is concerned, so if you want it you’ll need to track it down via retail or the secondary market.  And it’s well worthy it.

The Best of 2016

It was another fine year for music and we tried to embrace as much of it as possible.  Besides lots of shopping at the stores in the greater Seattle area, I also bought vinyl in Los Angeles, Denver, and Oklahoma City, as well as on trips abroad in Hong Kong, Sweden, and Iceland.  We saw some great live shows, made some new friends, and discovered new bands.  It was a lot of fun, and we can’t wait to do more of it again next year.

So, without further ado, here’s the Life in the Vinyl Lane “Best of 2016” edition!

Top 5 New Releases in 2016

  1. Ash & Ice – The Kills
  2. EP01 – Dream Wife
  3. Hope – Iiris
  4. Kælan Mikla – Kælan Mikla
  5. Redemption & Ruin – The Devil Makes Three

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Sometimes I find myself thinking about how I’m going to write on certain topics, and that happened to me recently with respect to my Top 5 New Releases list.  I was super excited about Dream Wife and their EP01, enough so that I felt like it was deserving of the top spot on the list, which would also conveniently supply me with a narrative arc since lead singer Rakel was also the vocalist on my pick of the best album of 2015 as part of Halleluwah.  Man, this was going to be so easy to write!

But then I remembered Ash & Ice.  I’ve played the hell out of this album over the course of the year, and I love it more with each and every spin.  So while I certainly root for the little guy (and girl) and Dream Wife in the top position would have made for a great story, it simply wasn’t authentic.  The Kills killed it, and that’s that, putting out an album that is, to my years, light years ahead of everything else I heard in 2016.

There is another thread in this list, however, as all of the top four performers have female vocalists, and the fifth, The Devil Makes Three, has a female bassist who does backing vocals.  So every band/performer on the list has at least one woman involved.  I think we’re seeing more and more opportunity for women in rock and outside of the traditional singer/performer format, especially in rock and metal, which is outstanding.  We saw lots of women performing great music this year at Airwaves as part of outfits like Hórmónar, Singapore Sling, Samaris, aYia, Thunderpussy, and Let’s Eat Grandma, and I for one couldn’t be happier about it.

Top 5 “New to Me” Bands/Performers

  1. Prayers (US)
  2. Dream Wife (UK/Iceland)
  3. Andi (Iceland)
  4. Scorpion Violente (France)
  5. The Lyman Woodard Organization (US)

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All of these “New to Me” bands came to me in different ways.  I saw Prayers on an episode of Huang’s World and literally ordered some of their music as soon as the commercial break came on after their appearance; I’d never heard of Dream Wife until I saw them perform live at Airwaves this year; I picked up Andi’s self-titled release because it was on Lady Boy Records and I pretty much buy everything they put out; Scorpion Violente was a random purchase from the New Arrivals bin at Amoeba; and I read about They Lyman Woodard Organization in an online article.

Stylistically the five band have nothing in common, ranging from cholo goth to pop-punk to electronic to industrial to jazz-funk.  They varied in genres just as they did in the ways they came to my attention.  This makes me feel good – the wider the net I can cast in the search for the new and interesting, the more likely I am to have my horizons expanded and mind blown.

I can’t recommend Prayers enough.  If you’re into hip hop or even somewhat darker electronic music you need to give these guys a listen.  But really I could say the same about all five of these selections.  Even if you’re not into their style, you may very well find something you like and have your musical base broadened just a little.  But be careful – if you open that door, even just a crack, there’s a whole flood of awesome music on the other side that will blow it down and rush over you like a tidal wave.  Don’t say I didn’t warn you.

Top 5 Vinyl Purchases

  1. U-Men – U-Men
  2. No New York Compilation
  3. Revolver – The Beatles
  4. The Decline of Western Civilization Parts I & II Soundtracks
  5. The Icelandic Punk Museum Cassettes

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I think I felt a little less passionate about acquiring specific things in 2016 than I have in past years.  That’s not to say I haven’t enjoyed playing tons and tons of new vinyl (and tapes, and CDs), but there hasn’t been a lot of the thrill of picking up a rarity or even new releases that I looked forward to with great anticipation (though there are a few items due in 2017 that I am excited about).

That being said, I did get my grubby paws on a few rarities and cool titles this year.  U-Men is a legitimately scarce pre-grunge Seattle punk record, and the original pressing of No New York was an exciting find in Oklahoma City.  Getting red vinyl Japanese first pressing of The Beatles’ Revolver in Hong Kong was my first foray into that collecting rabbit hole, and the record will always carry with it the great memory of listening to James Tang play us different versions of Beatles songs and break them down for us by their differences.  The two Decline records are soundtracks to a pair of great documentaries which also finally got released on DVD.  While the last item(s) on my list are actually tapes not vinyl, I was probably most excited to get my hands on those from a purely musical standpoint – there’s some great stuff on those comps, and they hold a proud spot on my tape rack.

I’ll be excited to see what 2017 brings!

Top 5 Live Shows

  1. Macklemore – Neumos, Seattle
  2. The Devil Makes Three – Red Rocks Amphitheatre, Colorado
  3. Dr. Spock – Húrra, Reykjavik
  4. Dream Wife – Harpa, Reykjavik
  5. The Ills – Húrra, Reykjavik

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When a good friend of mine, who shall remain nameless, called and said, “psst, I’ve got two spots on the guest list for the Macklemore album release party at Neumos, do you want to go?”, I couldn’t say yes fast enough.  The chance to see Seattle’s best known hip hop artist (sorry Mix-A-Lot, but he has the belt now) playing in an intimate venue like Neumos in front of the home town crowd was way to good to miss.  And it was great.  Including the part shown here when he climbed up onto the ledge of the balcony level (right) and then dove backwards into the awaiting crowd below.  I doubt I would have tried that, especially given that there seemed like a lot of 14-year-old girls down below waiting to catch him.  But catch him they did, and it was a hell of a show.

The Devil Makes Three are always great live, and getting to see them at Red Rocks was just icing on the cake.  An amazing venue, and once the show started I hardly noticed the wind and the cold.  The other three shows rounding out my Top 5 were all at Airwaves.  I’m going to skip past Dr. Spock and Dream Wife as I’ve written pretty extensively about both bands recently, and go straight to The Ills.  When these crazy Slovakians hit the stage at Húrra, all five of us in our Airwaves posse basically groaned – “ugh, instrumental rock…”.  But by time the second song was done The Ills had won the entire crowd over, including us, with their sheer enthusiasm and joy of playing, plus of course they had some pretty sweet licks.  By the end of their set we were all bummed they couldn’t play just one more song.  We ran into a couple of the guys the next night and they seemed genuinely appreciative of the praise we heaped on them.  Bands like The Ills are why you go to Airwaves.  Look for a review of one of their albums in the upcoming weeks.

Top 5 Places to Buy Records

North America
1. Easy Street Records, Seattle
2. Daybreak Records, Seattle
3. Guestroom Records, Oklahoma City
4. Amoeba Music, Los Angeles
5. Hi-Voltage Records, Tacoma

The Rest of the World
1. Lucky Records, Reykjavik
2. Trash Palace, Stockholm (Sweden)
3. Shun Choeng Record Company, Hong Kong
4. Reykjavik Record Shop, Reykjavik
5. The Record Museum / Sam the Record Man, Hong Kong

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I feel like I should just retire Easy Street and Lucky, since they are my two go-to shops and will likely remain so for years to come.  Hell, I could easily populate a Top 5 in North America with just Seattle area shops that I visit semi-regularly.  But such is life in the vinyl lane.  Seattle’s Daybreak Records is new on the scene this year and has an impressive amount of quality wax in a relatively small space.  Guestroom was a very pleasant surprise that I came across during a business trip to Oklahoma, and I came away with an armload of great titles there.  And if there’s one upside to all the business trips I had to take to Los Angeles in 2016 it was the opportunity to pay some visits to Amoeba, which has so much vinyl that I literally run out of energy looking well before I’ve had a chance to look at everything.  Hi-Voltage rounds out the North America Top 5 – they moved into a new location down in Tacoma and I love the new layout.

We got to visit record stores in three other countries on two continents in 2016.  Reykjavik of course gave us the always amazing Lucky Records and Reykjavik Record Shop, places where the folks working there are more like friends and family than employees.  A pre-Airwaves trip to Stockholm gave me a chance to visit Trash Palace for a second time, one of the best punk/metal speciality shops around.  And Hong Kong… ah, Hong Kong.  Shun Choeng Record Company was hard to find – it’s actually in a regular looking office building on one of the middle floors, and there’s no sign for it on the street.  It was impeccably laid out and organized, and I swear every single used record in there was immaculate.  While we didn’t buy much there, it was a fun shop to explore.  And we can’t forget our visits to James Tang, aka Sam the Record Man (above), as he literally gave us a masters-level course in the different sound qualities of various versions of the exact same songs.  It was fun and educational, a visit I’d highly recommend even if you don’t end up buying anything (though I recommend treating yourself to a Japanese red vinyl first pressing of something you enjoy… you won’t regret it).  It’s probably the only record store that also has a chandelier and will serve you coffee or tea in fine china.

The best record shopping experiences are those that come when you can build rapport with the folks at the stores.  Record shopping is fun in and of itself, but that takes it to a new level and makes the whole thing special.

Top 5 Music Books

  1. Miles:  The Autobiography, by Miles Davis
  2. Hardcore:  Life of My Own, by Harley Flanagan
  3. Porcelain, by Moby
  4. I’ll Never Write My Memoirs, by Grace Jones and Paul Morley
  5. X-Ray Audio:  The Strange Story of Soviet Music on the Bone, ed. Stephen Coates

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I’ve always been a pretty voracious reader.  I’m probably good for 30+ books in a typical year, and once when I decided to keep track I finished a year at 51… almost a book a week.  Traditionally I’ve spent almost all of my reading hours on non-fiction, but over the last few years I re-discovered my love for sci-fi and I’ve been consuming novels at a rapid rate, aided no doubt by the amount of time I’ve spent on airplanes in 2016 (best guess is I’ve been on somewhere around 60-70 flights this year).  However, I did find some time to squeeze in some music related reading, and these are the best of those books I read in 2016.

Most of these are autobiographies, which can at times be a mixed bag, perhaps nowhere as much so as with my top pick, Miles:  The Autobiography.  I applaud Miles for penning his own book, using his own voice and not relying on the co-author to turn his words into something different.  You feel like you’re listening to the man himself speak, though that can be good and bad.  What was refreshing in the first hundred pages could at times get grating as the book progressed.  Miles gives movies like Goodfellas and Pulp Fiction a run for their money with the sheer volume of “fucks” he writes, and there are entire sections that seem to devolve into “then I played here with these guys, then I played over here with these other guys…”  But man, there are some moments of brilliance here where you get a glimpse into how deeply Miles understood music, and I have to give the man credit for exposing himself completely, warts and all, including drug addiction and domestic violence.  An important work in understanding the nature of genius.

The other three autobiographies each had lot to offer as well, and I found them generally honest and forthcoming, not simply providing an idealized version of the individual.  Grace Jones probably has more of her pure ego come through than the others, but she’s a powerful and confident woman, and that shows on the page.  X-Ray Audio is a killer book about a very unique topic, old bootleg records from the Soviet Union that were cut on used x-ray file.  A definite passion project, and one beautifully packaged.  All of these were enjoyable and brisk reads.

 

So there you have it, my 2016 recap.  It’s had to believe this is the fifth one of these I’ve written… the years are going by so fast any more.  Keep on playin’ those tunes and hunting for new music, my friends!

The Kills – “Ash & Ice” (2016)

They trick you, The Kills.  Right from the start of their brand new 2016 studio album Ash & Ice.

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You know what you’re going to get from a new album by The Kills, right?  Jamie’s machete-attack guitar and Mosshart’s cigarettes-and-scotch-and-sexy voice.  A lo-fi, dirty vibe that still feels classy.  Riffs and that alternate between ice cold and red hot, and some sultry singing.

But they trick you right at the first song.  “Doing It to Death” starts like an EDM number.  Wait, what?  Then that initial guitar sound cuts through the electronic shell with an almost industrial sound.  But then Hince gives it to you… the guitar… the riff is a simple thing, a bit country, a bit of the blues.  So we’re good now, right?  Sounds just like The Kills.

But wait…

Alison’s voice… I feel like I’m in a Prohibition-era speakeasy in a seedy part of town drinking something called a gin and tonic but which I’m not certain contains any actual gin but boy there is something in there that gives it a kick and that burn… Sorry.  She sounds like she should have a spotlight right on her, up there on stage at the front of a smoky room, making the singing look effortless, like it was just a part of her personality that she couldn’t turn off even if she wanted to.

And that’s all in the first minute.  You’ve got 50 more or so to go.

Ash & Ice is an album by The Kills.  Except when it isn’t.  Like when its gospel roots show on “Bitter Fruit,” or their western (little “w”) influences come out in “Hum For Your Buzz,”  or the classical piano that provides the framework for “That Love,” or the surf guitar on “Black Tar.”  Sometimes it’s a whole different album entirely.  They do make a quick swing through their classic sound, though, on “Impossible Tracks,” but the rest… the rest is something a bit different.

What Ash & Ice also is is sonically dense.  And rich.  Whatever the smallest unit of time is (♠), The Kills filled every single one of those little moments with sound. Mosshart doesn’t prowl her way through Ash & Ice as she has done on so many albums before, but instead glides with the seemingly smooth ease of a world-class figure skater.  Even when she channels her punk rock vocals on “Impossible Tracks” and “Black Tar” it still seems effortless.  Not like she’s bored.  More like her voice has achieved it’s own perfection, one perfectly suited to her and only her, and she’s just realized it and is relishing its sound.  On the other end of the vocal spectrum, I don’t feel like we hear much of Jamie with the notable exception of “Echo Home,” which is too bad because he and Mosshart accompany each other so well.

I wasn’t entirely sure about Ash & Ice the first time I listened to it.  I was sure it was excellent, but I wasn’t sure if I liked it.  But after five listens, I’m sure it’s in my Top 5 list of best albums of 2016.  There’s still lot of year left, but I suspect it’s going to stay there for a good long while, maybe all the way to December 31.

(♠)  This is also known as the Planck time, which was named after physicist Max Planck, who died in 1947 and therefore never got to experience The Kills.  If he were alive today he probably wouldn’t like them, though.  Because he’d be 158 years old and wouldn’t like much of anything anymore and would probably grumble about how “the War of 1870… now THAT was a GREAT war!  Not that one that started in 1914.  They don’t have “Great” wars anymore…”

The Best of 2015

Man, 2015 was an absolutely fantastic year.  Holly and I got to do some traveling, going to Portland (OR) and Salt Lake City to see concerts, doing some record shopping in Ireland and Paris, and of course attending our seventh consecutive Iceland Airwaves Music Festival.  We went to shows with friends, listened to new music, and discovered new bands.  So with all that in mind, here’s a recap of Life in the Vinyl Lane’s musical year.

Top 5 New Releases in 2015

1.  Halleluwah – Halleluwah
2.  Lífsins Þungu Spor – Dulvitund
3.  .A:A. Mix. 1 – Alexandra Atnif
4.  II – Albino Father
5.  Grey Tickles, Black Pressure – John Grant

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A lot of great music came out in 2014, and I had a hard time whittling down my initial list of a dozen albums to pick the Top 5.  In fact I thought I had my list ready to go until I played Lífsins Þungu Spor for the first time about two weeks ago, and it actually bumped another album off of the list.  I was confident in my choice of Halleluwah for the top spot because I’ve been playing their debut (not available on vinyl at this time) a ton, and it’s actually the second time they’ve made my year end best of list, with their 10″ K2R (which stylistically is miles away from Halleluwah) held down the #4 spot on my 2012 list.  Dulvitund, Alexandra Atnif, and Albino Father were all performers I encountered for the first time in 2015, and John Grant rounds it out with his second appearance on one of my Top 5 New Releases lists.

I’m particularly happy with this list because, unintentionally, all the performers fall into different genres.  Halleluwah brings a sort of old school popular music sound, something that reminds me of an updated version of Edith Piaf; Dulvitund is electro darkwave; Alexandra Atnif creates some edgy experimental industrial beats; Albin Father is the second coming of garage psych rock; and of course John Grant is John Grant in all of his loquacious brilliance.  There’s something for just about everyone on that list.

Top 5 “New to Me” Bands/Performers

1.  Alexandra Atnif (US/Romania)
2.  No Stayer (US)
3.  Captain Moonlight (Ireland)
4.  SGNLS (US)
5.  Kælan Mikla (Iceland)

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This was a super-tough list for me this year.  The first two choices were easy.  We discovered Atnif this summer when we picked up one of her split tapes at Amoeba down in Los Angeles, and acquired two more of her cassettes over the course of the year.  She’s super talented and isn’t afraid to experiment with some very severe sounds.  No Stayer also came to me via a cassette (Rogue) when my friends over at Philadelphia’s Sit & Spin Records sent it my way.  I was down with their style of hard rock/metal, but then sort of forgot about them for a bit before re-discovering them on my iPod a few weeks back, and I’ve pretty much been listening to them every day since.  Captain Moonlight’s working class, Irish-issues-themed hip hop was a refreshing return of hip hop to being social protest music.  I enjoyed SGNLs synth punk enough to pick up two of their records this year, SGNLS and II (not to be confused by the Albino Father album of the same name).  Kælan Mikla was sort of a darkwave dark horse on this list, because they don’t currently have any physical releases (though they do have a track on Iceland Whatever, Vol. 1), but I was very impressed by their live show at Airwaves and can’t stop thinking about them.

Top 5 Vinyl Purchases

1.  Philly’s Dopest Shit, Vol. 1 – Various
2.  Lengi Lifi – HAM
3.  Hype! Boxed Set – Various
4.  W.C. Monster – Bootlegs
5.  Great White Wonder – Les Rallizes Denudes

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OK, I’m cheating a bit here, because my top choice is a cassette, and my #2 pick is a CD.  But both of those were important additions for me this year.  Philly’s Dopest Shit turned me on to a ton of great bands like No Stayer, SGNLS, Ruby Buff, and Spent Flesh.  Lengi Lifi is a very difficult to find, CD-only HAM live album and was the last one I needed to complete the HAM discography.  The Hype! Boxed Set was an opportunity for me to reconnect with some great Sub Pop 7″ records and exorcise those demons that still haunt me after selling my Sub Pop singles 20 years ago.  W.C. Monster is a collectible Icelandic thrash record, while the Great White Wonder box set is just a flat-out psych noise trip from Japan’s Les Rallizes Denudes.

Top 5 Live Shows

1.  The Kills – Roseland Theatre, Portland OR
2.  Bubbi & DIMMA – NASA, Reykjavik
3.  Bo Ningen – KEX Hostel, Reykjavik
4.  The Sonics – Easy Street Records, Seattle
5.  Black Rebel Motorcycle Club – Pioneer Park, Salt Lake City UT

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This is the second consecutive year that The Kills (right) have taken the top spot in my Top 5 Live Shows, and I kind of feel like any year that I see them live, they’ll probably be my number one pick – they’re quite simply that damn good.  At Airwaves the combination of Bubbi Morthens and DIMMA was a perfect blend of old school punk rock and new school technical metal, while Bo Ningen played the most insane, high energy set of crazy that I’ve ever seen.  Easy Street Records crammed 200 people into their shop for show benefitting KEXP radio, and The Sonics played along with a veritable who’s who of Seattle rockers, including Pearl Jam’s Eddie Vedder.  And BRMC… well, they’d been at the top of my list of bands I wanted to see for years and years, and this summer we were able to use some airline points to basically get down to Salt Lake City for free to see them live, and they were outstanding.

This was probably the toughest list for me to put together, because we saw so many great shows this year.  Agent Fresco, Hot Chip, Thievery Corporation, Steel Panther, HAM, Halleluwah… there were just so many awesome performances to choose from.  But the five that made the final cut all had something special about them that took them to that next level and made them more memorable.

Top 5 Favorite Places to Buy Records

North America
1.  Easy Street, Seattle
2.  Silver Platters, Seattle
3.  Diabolical, Salt Lake City
4.  Fingerprints, Long Beach (CA)
5.  Amoeba, Los Angeles

The Rest of the World
1.  Lucky Records, Reykjavik
2.  Reykjavik Record Shop, Reykjavik
3.  Bell, Book & Candle, Galway (Ireland)
4.  Syncrophone, Paris
5.  All City, Dublin

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Easy Street and Silver Platters are my regular local haunts, so it will be hard for them to ever get knocked out of the top spots.  The same is true for Lucky and Reykjavik Record Shop – any year that we make it to Reykjavik, these two are likely to be at the top of list.  One thing that all these places have in common is that they’re very supportive of their local scenes, and that’s important to me because when I travel I like to look for local music.  Plus they had some cool and knowledgeable people, people who are obviously passionate about music.

Top 5 Music Books

1.  Girl in a Band:  A Memoir, by Kim Gordon
2.  Lexicon Devil: The Fast Times and Short Life of Darby Crash and the Germs, by Brendan Mullen
3.  For Whom the Cowbell Tolls: 25 Years of Paul’s Boutique, by Dan LeRoy
4.  The Truth of Revolution, Brother: The Philosophies of Punk, by Robin Ryde, Lisa Sofianos, and Charlie Waterhouse
5.  Crate Digger: An Obsession With Punk Records, by Bob Suren

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I probably read about 15-20 music books in 2015, and the above were easily the best of the bunch.  And of these five, Kim Gordon’s was by far the most compelling, probably more so as the story of an artist’s life and struggles than for anything specifically related to Sonic Youth.  Truth be told, I’ve never owned a Sonic Youth album, and I couldn’t name single one of their songs if I tried (I may have to give up my music blogging card for that admission, but whatever), so I wasn’t particularly predisposed to feel any particular way about Girl in a Band.  The Truth of Revolution, Brother is a pretty unique project, one that I sponsored via Kickstarter.  Part of the appeal was that a couple of OG Icelandic punks were interviewed in it, specifically Einar Örn Benediktsson and Jón Gnarr.  It was an interesting take on punk philosophy, which resonated even more so after hearing Einar Örn talk for a few minutes prior to a Ghostigital show about what being a punk means to him.

 

This year Holly asked if she could contribute a few lists of her own, and it seemed like a great idea to me since her perspective is often quite different from mine.  So with minimal commentary, here are some of her top musical picks for 2015.

Top 5 New Releases in 2015 (Mrs. Life in the Vinyl Lane)

1.  Dodge and Burn – The Dead Weather
2.  FFS – FFS
3.  Born Under Saturn – Django Django
4.  Adjust to the Light – Fufanu
5.  “Inside Paul’s Boutique”

We didn’t have any albums in common in our Top 5 lists, and in fact she only had one album I’ve even written about on hers!  Number five is an outlier – it’s the roughly 12 hour incredible show that KEXP radio did in which they deconstructed all of Paul’s Boutique, literally playing in full every single song sampled by the Beastie Boys on that album, in the order they appeared on it.  It’s epic.  Don’t believe us?  Check it out for yourself HERE.

Top 5 “New to Me” Bands/Performers (Mrs. Life in the Vinyl Lane)

1.  East India Youth (UK)
2.  Islam Chipsy (Egypt)
3.  russian.girls (Iceland)
4.  Alexandra Atnif (US/Romania)
5.  Operators (US/Canada)

Again, not much overlap between the his-and-hers lists, only Alexandra Atnif.  That being said, all four of the other bands here made it to my initial list as well, they just ultimately didn’t crack my personal Top 5.

Top 5 Live Shows (Mrs. Life in the Vinyl Lane)

1.  The Kills – Roseland Theatre, Portland OR
2.  Thievery Corporation – Showbox Sodo, Seattle
3.  Black Rebel Motorcycle Club – Pioneer Park, Salt Lake City UT
4.  East India Youth – NASA, Reykjavik
5.  Bubbi & DIMMA – NASA, Reykjavik

We actually have quite a bit of overlap her, and both Thievery Corporation and East India Youth made to to my short list.  There were just so many good shows in 2015.

 

So there you have it, ladies and gents.  Another fantastic year is almost in the books, and I can’t wait to see what 2016 has in store for us.  And since we’ve already purchased our tickets for Iceland Airwaves 2016 and to see Devil Makes Three at Red Rocks in Colorado in May, I suspect it’s going to be pretty excellent.